Surreal Fashion Short Film

One of my first MiniMax H3 tests

Omni Reference worked really well here. I only provided references for the woman, the man and the horse and then used the prompt below 👇

Prompt: 
Use @ Image1 as the man reference. 
Use @ Image2 as the woman reference. 
Use @ Image3 as the horse reference.  

Create a surreal 15-second fashion-film sequence inside a minimalist monochrome blue studio.  The woman performs an elegant contemporary dance.  The man casually walks into frame wearing a completely serious expression.  Without explanation, he immediately joins the choreography.  His movements are awkward, strangely confident, almost ritualistic.  The woman never acknowledges him.  The horse behaves as though both dancers are part of its routine.  It wanders through the studio.  Runs behind them.  Appears from impossible places.  Stops.  Looks directly into the camera.  Leaves.  Returns again.  Sometimes all three performers accidentally synchronize for one beat before drifting apart again.  The choreography becomes increasingly absurd but remains perfectly cinematic.  Every movement is intentional.  Every frame feels designed.  Throughout the sequence, premium kinetic typography appears as part of the composition, not subtitles, but editorial motion graphics inspired by high-end After Effects title design.  Animated words flash for only a few frames:  THE GARDENER.  THE DRIVER.  THE HORSE.  THE WOMAN.  KNIFE.  MOVE.  FASTER.  AGAIN.  THE EXIT. These words slam into frame, wrap around the dancers, disappear behind bodies, stretch with motion blur, rotate in 3D, fragment into pieces, reveal through masks, pulse with the bass, smear across cuts, become oversized, tiny, vertical, upside down, and constantly transform using premium motion-design techniques.  Add abstract editorial graphics: animated arrows, circles, blueprint lines, tape labels, interface markers, halftone textures, scribbles, grain, tracking graphics, geometric overlays, chromatic aberration, liquid masks, flash frames, split screens, typography trails, speed ramps and graphic wipes.  Music evolves into strange electronic art-pop.  Analog synths.  Mechanical breathing.  Heavy bass.  Everything is synchronized to the rhythm.  Final close-up.  The woman whispers:  "Again."  The man quietly smiles for the first time.  The horse suddenly sprints directly toward the camera.  The word  AGAIN.  fills the screen before an instant cut to black.

### 作者补充

[补充1]
One of my first MiniMax H3 tests

Omni Reference worked really well here. I only provided references for the woman, the man and the horse and then used the prompt below 👇

Prompt: 
Use @ Image1 as the man reference. 
Use @ Image2 as the woman reference. 
Use @ Image3 as the horse reference.  

Create a surreal 15-second fashion-film sequence inside a minimalist monochrome blue studio.  The woman performs an elegant contemporary dance.  The man casually walks into frame wearing a completely serious expression.  Without explanation, he immediately joins the choreography.  His movements are awkward, strangely confident, almost ritualistic.  The woman never acknowledges him.  The horse behaves as though both dancers are part of its routine.  It wanders through the studio.  Runs behind them.  Appears from impossible places.  Stops.  Looks directly into the camera.  Leaves.  Returns again.  Sometimes all three performers accidentally synchronize for one beat before drifting apart again.  The choreography becomes increasingly absurd but remains perfectly cinematic.  Every movement is intentional.  Every frame feels designed.  Throughout the sequence, premium kinetic typography appears as part of the composition, not subtitles, but editorial motion graphics inspired by high-end After Effects title design.  Animated words flash for only a few frames:  THE GARDENER.  THE DRIVER.  THE HORSE.  THE WOMAN.  KNIFE.  MOVE.  FASTER.  AGAIN.  THE EXIT. These words slam into frame, wrap around the dancers, disappear behind bodies, stretch with motion blur, rotate in 3D, fragment into pieces, reveal through masks, pulse with the bass, smear across cuts, become oversized, tiny, vertical, upside down, and constantly transform using premium motion-design techniques.  Add abstract editorial graphics: animated arrows, circles, blueprint lines, tape labels, interface markers, halftone textures, scribbles, grain, tracking graphics, geometric overlays, chromatic aberration, liquid masks, flash frames, split screens, typography trails, speed ramps and graphic wipes.  Music evolves into strange electronic art-pop.  Analog synths.  Mechanical breathing.  Heavy bass.  Everything is synchronized to the rhythm.  Final close-up.  The woman whispers:  "Again."  The man quietly smiles for the first time.  The horse suddenly sprints directly toward the camera.  The word  AGAIN.  fills the screen before an instant cut to black.

[补充2]
Got early access to MiniMax H3, so I had to try something with it.

I generated 5 still frames for a fictional series intro, used them as Omni References and turned them into a short title sequence.

Just sharing my first test and there's still a lot more to explore, but it's https://t.co/p8IFbhA9wL