H3 Dark Rap Music Video

2 things minimax design did a good job. 1 They have so many offical skills you can choose, it means you learn from offical rather than burning the credits for error and trial. 2 They also support local assets and they are agentic so that it is much user friendly. #MiniMaxH3 on #MiniMaxDesign Prompt: "MiniMax-H3, 15 seconds, 16:9, 24fps feel, photorealistic dark-pop/cyber-grunge/rap MV. Use the uploaded reference image as the sole first frame and only visual anchor. Strictly preserve the subject’s facial features, wet black curly hair, frontal centered bust composition, direct eye contact, black-and-red palette, and the huge red background text “MiniMax H3”; spell it exactly, never garble it. Keep the same identity throughout. Preserve the dark metallic blade between the lips if visible. Only hard cuts, jump cuts, and single-frame inserts. No fades, dissolves, soft morphs, extra people, facial drift, cheap neon, rainbow glitches, blood, internal organs, monster transformation, or cartoon rendering.

A confrontational editorial cover performance: 1990s underground music magazines and zine collages, coarse 16mm grain, xerox paper, halftone dots, scan misregistration, red/black color-registration offsets, ripped paper edges, ink splashes, black paper shadows, industrial texture. The left side of the face remains in deep black shadow. On the right side, red cracks, molten surface texture, and black particles gradually appear and spread, but this is controlled surface deconstruction only, never gore or creature mutation. The face, eyes, hair, mouth, and frontal identity remain stable. Typography is physical paste-up collage, not subtitles: ultra-black condensed grotesk, huge red “MiniMax H3” behind and around the head, readable before any distortion and fully readable again at the end. Layer A: red title/background paper blocks. Layer B: stable photoreal face and hair. Layer C: scan lines, particles, torn edges, ink splashes, and restrained type fragments. Keep a clean readable title moment and a short breathing moment.

Music: dark-pop/cyber-grunge trap-rap, 118–122 BPM, 4/4, dry kick, heavy 808 bass, industrial impacts, metallic hits, tape hiss, close-up breathing, anxious 4–6 note minor motif, tense negative space, controlled low end. No extra lyrics or ad-libs. From 10–13 seconds the subject says clearly in a deep, chesty, dry voice: “This is H3.” The line is the only vocal phrase and must be intelligible. End with a bass hit and clean tape-stop hard ending, never a fade.

Shot 1 — 0–1.5s, static oppressive tension: exact reference-like frontal cover portrait, wet curls, left face in deep black, red-lit right edge, huge fully readable “MiniMax H3” behind. Only a micro-inhale and close breathing move. Layer A red title plate; Layer B face; Layer C fine grain and black edge shadow. Rhythm/Cut: sub-rumble and tiny inhale, hard cut on snare.

Shot 2 — 1.5–3s, scanning: same frontal face and eye lock. A precise vertical scan crosses the right cheek and hair; wet curls glint; left side stays black. Brief red channel offset affects the title only, then restores clarity. Layer A title plate; Layer B face; Layer C scan band and halftone. Rhythm/Cut: hi-hat ticks, tape chatter, jump cut.

Shot 3 — 3–4.5s, tearing: one aggressive single-frame ripped-magazine insert slashes across the lower face; the metallic blade may remain as a subtle line between the lips. Eyes remain fixed, no identity change. Title remains exactly “MiniMax H3” and readable through the tear. Layer A torn title paper; Layer B lips and face; Layer C ripped edge, photocopy debris, black slash. Rhythm/Cut: snare-triggered one-frame insert, immediate hard cut back.

Shot 4 — 4.5–6s, fracture onset: controlled red cracks open on the right cheek, temple, and jaw; molten lacquer/tar texture and tiny black particles lift away. Facial architecture and frontal pose remain intact; left side is deep black. Title stays clear, with only a brief offset on H3. Layer A title; Layer B face/hair; Layer C cracks, dust, ink splashes. Rhythm/Cut: industrial bass hit and hard cut.

Shot 5 — 6–7.5s, bodily deconstruction close-up: tighter crop, same direct gaze. Right cheek sheds red fragments and black particles in small bursts; wet curls stay dense; mouth controlled. Background title shifts slightly out of register but never becomes nonsense. Layer A doubled red title blocks; Layer B face close-up; Layer C particle stream and ink. Rhythm/Cut: hi-hat roll, tape flutter, jump cut on final tick.

Shot 6 — 7.5–10s, energy build: pressure rises around the right face and neck. Cracks spread as stylized surface breakdown only; no blood or organs. Giant red title blocks and black paper slabs split like a collapsing magazine cover, then still visibly read “MiniMax H3.” Subject remains dead-center, eyes locked. Layer A title slabs; Layer B stable face/curls/shadow; Layer C black dust, red paper texture, scan noise. Rhythm/Cut: 808 hit and metal slam, hard cut.

Shot 7 — 10–13s, energy eruption and spoken line: subject stays centered and unflinching while saying exactly, “This is H3.” Mouth articulates clearly; eyes never leave camera. Right-side cracks and particles reach their strongest controlled eruption; left side remains black. The clean red “MiniMax H3” reappears behind the head. Layer A red masthead; Layer B face and mouth; Layer C particle halo and ink flecks. Rhythm/Cut: deep dry voice over industrial bass, line resolves on the beat, immediate hard cut.

Shot 8 — 13–15s, freeze into cover image and push in: particles settle. Recompose into a clean final magazine cover: frontal bust, wet black curls, direct eye contact, left side deep black, controlled red fracture on right, huge fully legible red “MiniMax H3” behind. Slow deliberate push-in while keeping the graphic centered. Layer A final red masthead and black paper field; Layer B stable face/hair/shadow; Layer C minimal settling dust and ink. Rhythm/Cut: final bass hit, short tape stop, clean hard cut to black.

Global lock: preserve face, hair, gaze, composition, title spelling, and identity from first frame to final frame. Keep 4 connected cover/print-space zones: front cover void, scan surface, paste-up tear seam, final print cover. Use photocopy/halftone, scan offset, ripped collage, red-black-white remap, restrained double-image, and black-field interruption only when triggered by snare, hi-hat, bass, vocal, or hard cut; recover to a clear face. No fades or dissolves. No additional subjects, random text, garbled letters, generic cyberpunk neon, rainbow effects, gore, organs, monster features, or cartoon style.