FPV Director AI Video Generation

I think AI Agents are about to completely change how we prompt video models.
I gave the MiniMax Design AI Agent one image and one simple instruction:

“Act as an expert FPV director and turn this into something viral.”

It analyzed the idea, built the camera logic, movement and pacing, then created a ridiculously detailed prompt for MiniMax H3.
This is what came out. 🤯

And yes, I’m sharing the exact prompt + workflow in the thread 👇
#MiniMaxH3 on #MiniMaxDesign

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[补充1]
I think AI Agents are about to completely change how we prompt video models.
I gave the MiniMax Design AI Agent one image and one simple instruction:

“Act as an expert FPV director and turn this into something viral.”

It analyzed the idea, built the camera logic, movement and pacing, then created a ridiculously detailed prompt for MiniMax H3.
This is what came out. 🤯

And yes, I’m sharing the exact prompt + workflow in the thread 👇
#MiniMaxH3 on #MiniMaxDesign

[补充2]
Using the MiniMax Design AI Agent is actually super simple.
Upload your image, tell the Agent what you want to achieve, and let it work.

The key is context.
The more precise you are about the role, style, camera movement, mood and final result you want, the better the Agent can understand your vision and build the right approach.

Think of it less like prompting…
and more like briefing a creative expert. 👇

[补充3]
PROMPT made by MiniMax Design
Invisible micro-FPV camera skimming less than an inch above the coarse woven bedspread, the ribbed diagonal threads rushing past in extreme macro like a textured landscape, warm lamplight grazing every raised fiber while the background dissolves into creamy noir blur; the lens glides forward with a low, weightless inertia, catching a sudden silver glint from the handgun at the right edge as the first visual hook, then banking gently left around the corner of the small textured cushion that supports the woman’s elbows, so the cushion becomes a massive foreground wall sliding across frame. Focus starts razor-thin on the bedspread threads, then racks smoothly to the metallic pistol grip in her resting left hand, revealing her red-painted nails, the extended index finger along the slide, and tiny reflected streaks of warm practical light on the gun’s polished edges. Without cutting, the camera rises in a shallow arc over the pistol muzzle line, never crossing it abruptly, drifting close enough for the weapon to sweep past the lens as a blurred silver foreground occlusion, then eases toward her hand and forearm, the black wrist band briefly framing the lower edge while the bed and white pillow behind stretch into parallax layers. The movement continues as one controlled breath: a slow clockwise orbit around her upper body, passing just above the cushion and climbing toward the black scoop-neck top, where the two red teardrop pendants swing subtly against her collarbone; focus pulls from the jewelry’s glossy facets to the soft highlights on her skin, then to the dark shine of her straight black bob. The camera slips upward beside her raised cigarette hand, threading through the thin smoke drifting from the ember, the burning tip blooming as a warm macro point of light before it smears into bokeh; the cigarette and red fingernails fill the foreground while her face remains ghosted behind them, then focus snaps elegantly through the smoke onto her eyes. She remains visually identical to the reference: prone on the bed, elbows planted, head slightly tilted, feet lifted and crossed behind her, calm direct gaze, blunt bangs, dark clothing, red pendants, pistol in hand, no redesign, no change of pose logic. The camera now floats inches from her face, almost at pillow height, drifting from her cigarette hand across the line of her cheek and lips as a thin blue-toned exhale lifts past her forehead; the smoke curls around the lens as semi-transparent veils, briefly occluding one eye, then revealing it again with a controlled rack-focus from vapor texture to the sharp reflective wetness of her gaze. Momentum carries the viewpoint upward in a graceful rising bank over the bridge of her nose and bangs, grazing the glossy black hair so individual strands catch warm highlights from the lamp on frame-left and cooler ambience from the blinds behind. As the lens crests above her head, it widens slightly, revealing the room geometry: the illuminated pleated table lamp glowing on the left, closed horizontal blinds behind her raised heels, the smooth white pillow on the right, and the bedspread plane anchoring the entire scene. The camera then dives in a smooth S-curve toward her crossed glossy black stilettos, using the lifted legs as a dramatic foreground arch; focus shifts from her face to the patent leather shoes, catching tiny specular highlights as the lamp and blinds slide in opposite directions behind them, creating strong parallax without disorienting the space. The viewpoint wraps around the shoes in a technically precise half-orbit, passing close to one heel until it becomes a dark blurred vertical blade, then descending along the diagonal line of her legs back toward the bed, letting the blinds streak horizontally across the background while the warm lamp glow expands and contracts at the left edge. The movement accelerates subtly into the final escalation: the camera swoops low beside the bedspread, races past

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And that’s the part I find really interesting about MiniMax Design.
I didn’t spend hours trying to engineer the perfect H3 prompt.

I gave the AI Agent a role, my reference, and my creative intent — then worked with it until we had exactly what I wanted.

That’s where I think AI creative workflows are heading:
Less time fighting prompts.
More time directing ideas.

Now take the prompt from this thread, drop your own image in, and see how far you can push it. 🔥

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