Chun-Li High-Speed Martial Arts Showcase
Cinematic Scene Live-action Cinematic 2026-08-30
Footage © @ou_zhen599 · View original post
The clip was published publicly by its creator and is linked here directly; rights holders may request removal.
Full prompt
Made with MiniMax-H3 🥋“Chun-Li Show, Scene 1” MiniMax-H3 prompt👇 For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Live-action, cinematic realism, high-speed martial arts showcase. Chun-Li fully matches <Picture 1>: same face, hair, twin buns with white ribbons, blue modified qipao combat dress, gold trim, black belt, spiked wrist cuffs, white socks, white-gold sneakers, muscular leg lines, body proportions, and overall Chun-Li presence. The first frame must begin from the exact airborne fighting pose in <Picture 1>, continuing seamlessly with no pose reset, no standing restart, and no delay. IMAX 70mm film grain, Nolan-inspired cinematic realism, photorealistic natural palette with charcoal black, umber, dark ochre, ash gray, and pale amber interwoven. Low-angle medium close-up to medium shot, camera physically attached to Chun-Li with subtle follow, small lateral drift, light arc follow, and slight pullback only when needed. She drops from the exact first-frame airborne pose, lands right foot first, recoils the left leg, folds both arms into guard, slides immediately into a low Chun-Li base, snaps a short low probing kick, drives forward into a heavier mid kick, pushes both palms forward in a qigong-like pressure beat, then bursts into very fast chained lightning kicks. She recoils, rotates her waist, changes side without stopping, reins in for half a breath, looks up, gives a small hand gesture, and says in a calm confident dominant voice (S1): <d>[English] Keep up.</d> She instantly drops back into rhythm, steps in with an upward kick, chains into a fast spinning kick, extends a high kick, borrows the momentum into a brief airborne turning kick continuation, lands directly into a low sweep, snaps in a short close palm strike, then detonates the strongest rising finishing kick of the full piece. She rotates back under control, returns to Chun-Li’s unmistakable live defensive guard, steadies her breath, lets ribbons and skirt settle, raises one hand with relaxed dominance, and ends in a beautiful but practical signature stance. The action must feel like real Street Fighter 6 Chun-Li combat logic: fast, sharp, crisp, light, continuous, practical, and never dance-like, cartoonish, messy, or generic posing. overall_soundscape: Sharp breathing, shoe friction, fabric and ribbon snaps, tight body-driven impact air, and light arena smoke atmosphere. non_diegetic_music: Tight hybrid percussion and low electronic pulses at a fast tempo, restrained under the action. ### 作者补充 [补充1] Made with MiniMax-H3 🥋“Chun-Li Show, Scene 1” MiniMax-H3 prompt👇 For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Live-action, cinematic realism, high-speed martial arts showcase. Chun-Li fully matches <Picture 1>: same face, hair, twin buns with white ribbons, blue modified qipao combat dress, gold trim, black belt, spiked wrist cuffs, white socks, white-gold sneakers, muscular leg lines, body proportions, and overall Chun-Li presence. The first frame must begin from the exact airborne fighting pose in <Picture 1>, continuing seamlessly with no pose reset, no standing restart, and no delay. IMAX 70mm film grain, Nolan-inspired cinematic realism, photorealistic natural palette with charcoal black, umber, dark ochre, ash gray, and pale amber interwoven. Low-angle medium close-up to medium shot, camera physically attached to Chun-Li with subtle follow, small lateral drift, light arc follow, and slight pullback only when needed. She drops from the exact first-frame airborne pose, lands right foot first, recoils the left leg, folds both arms into guard, slides immediately into a low Chun-Li base, snaps a short low probing kick, drives forward into a heavier mid kick, pushes both palms forward in a qigong-like pressure beat, then bursts into very fast chained lightning kicks. She recoils, rotates her waist, changes side without stopping, reins in for half a breath, looks up, gives a small hand gesture, and says in a calm confident dominant voice (S1): <d>[English] Keep up.</d> She instantly drops back into rhythm, steps in with an upward kick, chains into a fast spinning kick, extends a high kick, borrows the momentum into a brief airborne turning kick continuation, lands directly into a low sweep, snaps in a short close palm strike, then detonates the strongest rising finishing kick of the full piece. She rotates back under control, returns to Chun-Li’s unmistakable live defensive guard, steadies her breath, lets ribbons and skirt settle, raises one hand with relaxed dominance, and ends in a beautiful but practical signature stance. The action must feel like real Street Fighter 6 Chun-Li combat logic: fast, sharp, crisp, light, continuous, practical, and never dance-like, cartoonish, messy, or generic posing. overall_soundscape: Sharp breathing, shoe friction, fabric and ribbon snaps, tight body-driven impact air, and light arena smoke atmosphere. non_diegetic_music: Tight hybrid percussion and low electronic pulses at a fast tempo, restrained under the action.
Details
| Target model | MiniMax H3 |
|---|---|
| Use case | Cinematic Scene |
| Style | Live-action Cinematic |
| Media | Video |
| Duration | 15.1s |
| Aspect ratio | 16:9 |
| Likes | 20 |
| Published | 2026-08-30 |
Attribution
Author: @ou_zhen599 · View original post
Prompts remain the copyright of their authors. We index and quote them with attribution plus a link to the original post; rights holders may request removal.
Run this prompt through the API
Copy the prompt above into a MiniMax H3 (Hailuo) text-to-video call to reproduce the shot. When adapting it, swap subject, setting and camera move one clause at a time. Access and licensing details are on About.