Chun-Li High-Speed Martial Arts Show
Game Trailer Live-action Cinematic 2026-08-30
Footage © @ou_zhen599 · View original post
The clip was published publicly by its creator and is linked here directly; rights holders may request removal.
Full prompt
Made with MiniMax-H3 🥋“Chun-Li Show, Scene 2” MiniMax-H3 prompt👇 For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Live-action, cinematic realism, high-speed martial arts showcase. Chun-Li fully matches <Picture 1>: same face, hair, twin buns with white ribbons, blue modified qipao combat dress, gold trim, black waist sash, spiked wrist cuffs, leg lines, white socks, white-gold sneakers, and overall Chun-Li presence. The first frame must begin from the exact low fighting stance in <Picture 1> and continue seamlessly with no pose reset, no standing restart, and no delay. IMAX 70mm film grain, Nolan-inspired cinematic realism, photorealistic natural palette with charcoal black, umber, dark ochre, ash gray, and pale amber interwoven. Low-angle medium close-up to medium shot, camera tightly attached to Chun-Li with subtle sink, light push, slight lateral drift, smooth arc follow, and small pullback only when needed. Chun-Li comes alive directly from the first-frame stance, says in a friendly, relaxed, confident voice (S1): <d>[English] First... Kikoken.</d> and immediately drives a real Kikoken palm release with forward pressure. She slides in closer, lowers her weight, says <d>[English] Hyakuretsukyaku.</d> and bursts into very fast chained lightning kicks. Without stopping, she recoils, rotates through the waist, changes side, reins in for half a breath, lightly resets one hand, and says <d>[English] Ready for the next one?</d> She instantly drops back into rhythm, loads upward, says <d>[English] Tensho Kicks.</d> and fires a compact vertical explosive kicking sequence with clean upward leg action and controlled landing. She then rotates straight into a Spinning Bird Kick-style finishing phrase with a clear circular body line, fast readable rotational legwork, and no exaggerated long inversion. She lands cleanly, returns to Chun-Li’s live defensive guard, steadies her breath while ribbons and skirt continue to sway, raises one hand with relaxed master-level dominance, and says <d>[English] Classic, right?</d> She ends in a beautiful but practical signature stance with complete control. The whole video must feel like real Street Fighter 6 Chun-Li combat showcase: fast, sharp, smooth, elegant, tactical, and never dance-like, cartoonish, messy, or generic. overall_soundscape: Sharp breathing, shoe friction, fabric and ribbon snaps, light arena smoke drift, and crisp body-driven impact air. non_diegetic_music: Tight hybrid percussion and restrained low electronic pulses at a fast tempo, mixed lightly beneath the action. ### 作者补充 [补充1] Made with MiniMax-H3 🥋“Chun-Li Show, Scene 2” MiniMax-H3 prompt👇 For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] Live-action, cinematic realism, high-speed martial arts showcase. Chun-Li fully matches <Picture 1>: same face, hair, twin buns with white ribbons, blue modified qipao combat dress, gold trim, black waist sash, spiked wrist cuffs, leg lines, white socks, white-gold sneakers, and overall Chun-Li presence. The first frame must begin from the exact low fighting stance in <Picture 1> and continue seamlessly with no pose reset, no standing restart, and no delay. IMAX 70mm film grain, Nolan-inspired cinematic realism, photorealistic natural palette with charcoal black, umber, dark ochre, ash gray, and pale amber interwoven. Low-angle medium close-up to medium shot, camera tightly attached to Chun-Li with subtle sink, light push, slight lateral drift, smooth arc follow, and small pullback only when needed. Chun-Li comes alive directly from the first-frame stance, says in a friendly, relaxed, confident voice (S1): <d>[English] First... Kikoken.</d> and immediately drives a real Kikoken palm release with forward pressure. She slides in closer, lowers her weight, says <d>[English] Hyakuretsukyaku.</d> and bursts into very fast chained lightning kicks. Without stopping, she recoils, rotates through the waist, changes side, reins in for half a breath, lightly resets one hand, and says <d>[English] Ready for the next one?</d> She instantly drops back into rhythm, loads upward, says <d>[English] Tensho Kicks.</d> and fires a compact vertical explosive kicking sequence with clean upward leg action and controlled landing. She then rotates straight into a Spinning Bird Kick-style finishing phrase with a clear circular body line, fast readable rotational legwork, and no exaggerated long inversion. She lands cleanly, returns to Chun-Li’s live defensive guard, steadies her breath while ribbons and skirt continue to sway, raises one hand with relaxed master-level dominance, and says <d>[English] Classic, right?</d> She ends in a beautiful but practical signature stance with complete control. The whole video must feel like real Street Fighter 6 Chun-Li combat showcase: fast, sharp, smooth, elegant, tactical, and never dance-like, cartoonish, messy, or generic. overall_soundscape: Sharp breathing, shoe friction, fabric and ribbon snaps, light arena smoke drift, and crisp body-driven impact air. non_diegetic_music: Tight hybrid percussion and restrained low electronic pulses at a fast tempo, mixed lightly beneath the action.
Details
| Target model | MiniMax H3 |
|---|---|
| Use case | Game Trailer |
| Style | Live-action Cinematic |
| Media | Video |
| Duration | 15.1s |
| Aspect ratio | 16:9 |
| Likes | 32 |
| Published | 2026-08-30 |
Attribution
Author: @ou_zhen599 · View original post
Prompts remain the copyright of their authors. We index and quote them with attribution plus a link to the original post; rights holders may request removal.
Run this prompt through the API
Copy the prompt above into a MiniMax H3 (Hailuo) text-to-video call to reproduce the shot. When adapting it, swap subject, setting and camera move one clause at a time. Access and licensing details are on About.