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You're going to assume I edited this.

I didn't. 

24 hard cuts, one prompt, one generation. 

This is @Hailuo_AI MiniMax H3

Prompt below 👇 https://t.co/mlFRE0V8Bz

### 作者补充

[补充1]
Prompt: #MiniMaxH3

MAGNET LINK — 24 CUT SEQUENCE · 15s · 2K · 24fps
Edit locked to 128 BPM. 1 beat = 0.469s. 8 bars. Cut on the beat, always.

SUBJECT: three grey electronic modules — a sampler with a 4x4 dark charcoal
pad grid and six white knobs, a narrow centre mixer hub with one large grey
knob, and a sequencer with six dark knobs ringed in amber. Matte satin
off-white shells, dark chamfered front edges, black display strips, small
amber accents. They snap together magnetically into one unit.

PALETTE: near-black #0A0E1A base. Amber #F26A21 is the product's own colour
and appears in every cut. Cyan #00E5FF is structure — grids, scans,
reflections. Magenta #FF2D78 is energy — wireframes, trails. Ultraviolet
#6C3BFF is data — leader lines only. Maximum two accent colours on screen at
once, and amber is always one of them.

LIQUID GLASS: panels are translucent, never flat. They distort whatever sits
behind them. Edges lens and magnify like the rim of a water droplet. A
specular highlight travels across each surface as it moves, lagging slightly
behind. Faint cyan and magenta fringing on opposite edges. Rounded corners,
visible thickness, soft inner glow at the borders.

MOTION BLUR: heavy directional streak blur on everything in transit. Full
shutter blur on whip pans and crane moves. Every element arrives razor sharp
and holds absolutely still. Nothing is ever blurred while stationary.

CAMERA: motion-control smooth, no handheld drift. Clean digital, no grain,
macro-sharp product detail throughout.

LIGHT: one large soft overhead source keeping the shells readable, plus hard
cyan rim light from behind separating them from the near-black void. The only
warm light in the film comes from the product's own displays and accents.

TEXTURE: fine satin micro-grain across the shells, no gloss. A single
unbroken specular line travels each chamfered front edge as the modules move,
lagging slightly behind the shell. Faint injection-molding sheen on the pad
tops. Grille perforations individually resolved. Display glass is deep black.
Dust-free, fingerprint-free.

SPEED RAMP: cut 21 ramps. Components rush inward at full speed, drop to
near-stillness for the final inch before contact, then snap at full speed on
the impact. The ramp happens inside the shot, never across a cut.

ECHO PRINT: fast-moving components leave a short decaying ghost trail behind
them, three or four fading copies, amber-tinted, dissolving within a few
frames. Trails appear only on parts in rapid motion, never on anything at rest.

GLASS CAUSTICS: the translucent panels cast faint moving caustic light
patterns across the module shells behind them, like light bent through water.
Low intensity, always in motion.

GLITCH: strictly limited to the interface graphics inside the glass panels.
Two-frame digital tearing, scanline break and pixel-block displacement on the
waveform and meters only. The hardware itself never glitches, never tears,
never corrupts. The shells stay perfect in every frame.

STEPPED FRAMES: cuts 14 and 16 render on twos, a stepped staccato motion
rather than smooth. Everything else is smooth 24fps.

BLOOM: on ignition the amber emission blows out and blooms for two frames
before settling to normal exposure.

RHYTHM: cuts 01 to 12 are one beat apart. Cuts 13 to 20 fire on every half
beat — this burst is the peak of the film. Cut 21 holds four full beats,
and that contrast against the burst is what gives the snap its weight.

GLITCH LAW: exactly three glitch events in the film, each motivated, never
decorative. One — digital tearing on the scan line pass, the scan failing,
not the product. Two — datamosh smearing on the frame the modules burst
apart, the image breaking as the object breaks. Three — a boot glitch on the
ignition, displays tearing and flickering for a few frames before locking
solid, exactly as real hardware wakes. No glitch anywhere else. No VHS
artifacts, no CRT scanlines, no film burn, no light leaks.

CAPTURE ARTIFACTS: slight rollin

[补充2]
Image prompt:

I recommend using an image reference with the prompt.

Futuristic modular music workstation product render, three connected electronic modules floating slightly above a glowing neon grid floor, black background, dramatic 3/4 angle view, retro-futurist cyber aesthetic. Clean industrial design with silver brushed-metal chassis, black glossy display screens, orange accent details, soft chamfered edges, precision knobs, square rubber pads, small labeled buttons, perforated speaker grilles, and top connection tabs. Left module is a portable sampler with waveform display and 4x4 pad grid, center module is a mixer / FX hub with audio meters and large central volume knob, right module is a synth sequencer with step-sequencer screen and transport controls. Readable product text and interface labels, crisp sans-serif typography, high-end studio lighting, orange rim light, subtle reflections, strong contrast, premium consumer electronics look, ultra-detailed, sharp focus, minimal composition, sleek teenage-tech vibe, clean futuristic branding, realistic product visualization.

[补充3]
@HBCoop_ @Hailuo_AI The model is impressive, and now we have more options to create exciting projects with a more affordable alternative to Seedance 2.0. I hope this will reignite interest in AI video models, as it seemed everyone abandoned the idea after Seedance.