时间线舞者实验

Here is my 1st Experiment with h3.c on M3 Ultra.
You can find the full command + prompt 👇

Total time: 2:42 hours 👀 for:
- 1344x768
- 10 secs
- 20 steps
- reuse 2: let the model do every other denoising step, and extrapolate the rest from the last two predictions. Half the compute.
- model: https://t.co/AB8X3Yi4pV
- prompt heavily inspired by @lepadphone that creates incredible videos with MiniMax H3!

### 作者补充

[补充1]
Here is my 1st Experiment with h3.c on M3 Ultra.
You can find the full command + prompt 👇

Total time: 2:42 hours 👀 for:
- 1344x768
- 10 secs
- 20 steps
- reuse 2: let the model do every other denoising step, and extrapolate the rest from the last two predictions. Half the compute.
- model: https://t.co/AB8X3Yi4pV
- prompt heavily inspired by @lepadphone that creates incredible videos with MiniMax H3!

[补充2]
Complete command used: 
./h3 --profile -d ./MiniMax-H3 \                                                                       -p '[Core Concept]
15s, 160 BPM, 4/4, 40 beats. Industrial Hyperpop × Deconstructed Club: hard kicks, metallic snares, glitch hi-hats, distorted
bass, sliced vocals. A timeline-based reality where rhythm controls space and motion.

[Character Identity]
Single woman dancer, Maintain identical face, body, hairstyle and outfit. Multiple figures are only past-frame projections.

[World Logic]
Each kick compresses the timeline toward the dancer. Each snare duplicates previous movements into adjacent frames. Moving
against the timeline transforms the 2D interface into a foldable 3D structure. The dancer escapes the repetition loop.

[Visual Language]
Black, cold white, warning red. Glass timelines, metal rails, glowing frame lines, scanning grids. Extreme wide-angle, low
angles, top-down shots, Dutch angles, dolly moves, impossible perspective. 3D words MINIMAX, LOCAL, AI, POWER exist as physical
architecture, not subtitles.

[Motion Rules]
Use anticipation → attack → overshoot → settle. Kick drives spatial compression, snare breaks frames, hi-hats animate cursors and
fragments, bass bends time. Build with glitch cuts, then explode into an impossible continuous long take during the drop.

[Restrictions]
No character changes, extra people, random text, subtitles, logos, outfit changes, bad anatomy, flat camera angles, or
meaningless flashes.' \
  --width 1344 --height 768 --frames 242 --steps 20 --layers 50 --reuse 2 \
  --show -o outputs/timeline-dancer.mp4