RTX 5090动能广告

Taking it to the next level! 🚀

I'm continuing to push Kinetic Typography in MiniMax H3, but moving from pure art to actual advertising. Built a full concept ad using mograph, and since local generation is life, the product had to be the RTX 5090.

Integrating text and motion graphics into a commercial workflow with this model is next-level. The results speak for themselves. 🔥

Here's the prompt 👇

#MiniMax #MotionDesign #AIAdvertising #ComfyUI #TechAd

### 作者补充

[补充1]
Taking it to the next level! 🚀

I'm continuing to push Kinetic Typography in MiniMax H3, but moving from pure art to actual advertising. Built a full concept ad using mograph, and since local generation is life, the product had to be the RTX 5090.

Integrating text and motion graphics into a commercial workflow with this model is next-level. The results speak for themselves. 🔥

Here's the prompt 👇

#MiniMax #MotionDesign #AIAdvertising #ComfyUI #TechAd

[补充2]
subject_definitions:
<Subject 1> is Amadeus, the person in <Picture 1>: 153 cm tall, spiky white hair, red rectangular sunglasses, a black jacket over a white shirt with a chain necklace, red cargo pants, and dark sneakers with white soles.
<Subject 2> is the NVIDIA GeForce RTX 5090 graphics card in <Picture 2>: a dual-fan flow-through design, a gunmetal-black shroud, and a backlit "GEFORCE RTX" logo.

summary:
[reference generation] The target video is a 3x-speed, high-energy kinetic-typography commercial for the NVIDIA GeForce RTX 5090 that places <Subject 1> and <Subject 2> inside a shared 3D space built from giant English typography acting as walls, floors, tunnels, rings, and volumetric objects, rendered in a limited neon-green, black, and white palette across nine scenes.

retention_analysis:
<Subject 1> (appears in [Shot 1], [Shot 2], [Shot 3], [Shot 4], [Shot 5], [Shot 6], [Shot 7], [Shot 8], [Shot 9]): fully_preserved - the exact face, spiky white hair, red rectangular sunglasses, black jacket over white shirt with chain necklace, red cargo pants, and white-soled dark sneakers are retained in every scene.
<Subject 2> (appears in [Shot 3], [Shot 4], [Shot 5], [Shot 7], [Shot 8], [Shot 9]): fully_preserved - the dual-fan flow-through design, gunmetal-black shroud, and backlit "GEFORCE RTX" logo are retained.

detailed_description:
The target video is a live-action film blended with high-fashion advertising and kinetic typography, cut as a 3x-speed high-energy commercial in a bold, limited palette of NVIDIA signature neon green, black, and white with neon-green light reflecting off a glossy black floor throughout, placing <Subject 1>, <Subject 2>, and giant English typography in the same 3D space where text functions as walls, floors, signage, tunnels, rings, light beams, and giant volumetric objects, each scene applying a different technique — high-speed sliding, sudden expansion, extrusion, rotation, repetition, depth movement, radiating bursts, warping, or perspective distortion — through fast zooms, ultra-wide and low angles, side tracking, and 360-degree rotation. All on-screen typography displays with exact spelling and numerals, stays free of garbled characters or extraneous text, and the featured phrase in each scene becomes fully legible at least once even at high speed, moving both in front of and behind <Subject 1> and <Subject 2> within the same shared volumetric space.
[Shot 1] <Subject 1> stands center frame in a giant neon-green advertising tunnel, looking directly into the camera. Countless instances of the giant phrase "NEED MORE POWER?" line the left and right walls, the ceiling, and the floor, static at first. As the camera rushes toward <Subject 1> at high speed, the "NEED MORE POWER?" text on either side begins streaming violently in the opposite direction from him; some instances grow huge as they surge from the depth of frame toward the camera, and others slide in rapidly from off-screen horizontally. By the end of the shot, only the central "NEED MORE POWER?" remains, growing massive and completely covering the space behind him.
[Shot 2] At 00:03.000, the shot cuts to <Subject 1> walking through a glossy neon-green space as giant illuminated signs reading "5090" appear one after another around him, the nearest sign larger than he is and the same numeral repeating dozens of times further back in an extreme one-point perspective. The camera pulls back rapidly from directly in front of him. Each time he passes through a "5090" sign, that sign blasts away sideways at high speed and the next "5090" grows huge as it surges in from the depth of frame. By the end of the shot, multiple "5090" signs arrange themselves into a circle centered on him and all illuminate at once.
[Shot 3] At 00:06.500, the shot cuts to <Subject 1> reaching a hand toward the camera as <Subject 2> appears in mid-air in front of his palm, spinning rapidly as it approaches the lens. Behind it stands giant volumetric text reading "GE