Nexta转职广告动画

MiniMax H3 × Claude Codeで架空の転職エージェント「Nexta」のCM動画を生成。

広告として利用する場合、この手のモーショングラフィックスは3秒のフックで使うと良さそうですね😃
Meta広告に出稿した既存の動画に対して3秒のフックを加える、みたいな使い方もできそう。

真面目に広告効果のことを考えると、全体よりもむしろフックだけの方が良いのかな...🤔

使用したツールはMiniMax Designです。
#MiniMaxH3 on #MiniMaxDesign

使用したプロンプトはこちら↓
-------------
integrated_multimodal_description:
2D-animated flat vector motion graphics in a vertical 9:16 composition, exactly 14 shots at
24fps. Flat anime rendering, thick clean outlines, two-tone cel shading, no gradients, no
photorealism, no 3D. Giant Japanese typography is physical architecture: solid black slabs the
size of buildings that crush, block, fall and can be climbed. It is high summer and the first half is hot, stale and windless, with heat
haze in the air. Palette: black, washed-out greyish white, deep navy and vivid cyan. Cyan first appears as a
single point in Shot 6, then spreads further in each following shot until it fills the frame at
Shot 13; it never appears before Shot 6.

The recurring character is a Japanese office worker: a woman with a long black ponytail and
sharp determined eyes, in a white short-sleeve blouse under a light grey lightweight blazer,
deep navy tapered trousers, low-heeled black pumps and a plain blank ID badge on a lanyard,
with a light sheen of sweat at her temples. Preserve her exact face, hairstyle, outfit and
colors throughout; never redesign her. Her blazer is the mechanism: buttoned closed and flat
grey until Shot 7, then it blows open and its vivid cyan lining flashes out, flaring wider in
every following shot.

She is also the narrator (S1), an inner monologue in a low voice, tired and flat at first and
firmer later, always in off-screen voiceover with her lips closed. Every Japanese word on
screen stays fully readable and is never covered by her.

[Shot 1] Looking up from the bottom of a canyon of giant black Japanese character slabs. She
stands small at the base, then tilts her head back to look up, then a bead of sweat runs down
her temple as the air shimmers with heat. The narrator (S1) says in a tired, flat
tone in an off-screen voiceover: <d>[Japanese] ずっと、ここで止まってた。</d> while her lips
remain completely closed. The camera tilts up with small amplitude at slow speed. <scenetrans>

[Shot 2] At 00:01.000, <scenetrans> the narrator's sentence continues seamlessly across
the cut. A colossal slab drops from above, then lands across her shoulders, then her
knees buckle under it. The slab reads "タスク" in huge off-white type. The camera shakes
slightly with small amplitude at fast speed.

[Shot 3] At 00:02.000, two slabs slide in from left and right, then she braces both arms
against them, then they press closer and she loses ground. The slabs read "会議" in huge
off-white type. Static shot.

[Shot 4] At 00:03.000, slabs stack at her feet, then she climbs two of them, then she slips
and slides back down. The slabs read "給料" in huge off-white type. The camera pedestals up with
small amplitude at slow speed.

[Shot 5] At 00:04.000, the slabs swing closed into a sealed box around her, then she sits down,
then all movement in the air stops completely. No text. The camera pushes in
with small amplitude at slow speed.

[Shot 6] At 00:05.000, everything freezes and holds still, nearly monochrome, with no text at
all. One small cyan point of light glows at her feet, then a single sheet of paper lifts
slightly off the ground and hangs there. The narrator does not speak at all during this shot.
Static shot.

[Shot 7] At 00:05.800, wind arrives. Her ponytail streams sideways, then she lifts her head and
her eyes sharpen, then her blazer blows open and the cyan lining flashes out for the first
time. No text. The camera pushes in with small amplitude at fast speed.

[Shot 8] At 00:06.800, she grips the wall of slabs with both hands, then hauls it over so it
topples away, then wind rushes through the opening. No text. The camera trucks right with large
amplitude at fast speed.

[Shot 9] At 00:08.000, the fallen slabs lock into a staircase rising to the upper right, then a
wide cyan color field wipes across the frame, then each step edge lights from bottom to top. No text. The camera tilts up with small amplitude
at fast speed.

[Shot 10] At 00:09.000, she runs up the staircase of characters. Each slab lights cyan as she
leaves it, then her ponytail and blazer stream hard in the wind, then she takes the next flight
two steps at a time. The narrator (S1) says in a firmer, lighter tone
in an off-screen voiceover: <d>[Japanese] 変えたのは、環境だけ。</d> The camera tracks her with
large amplitude at fast speed. <scenetrans>

[Shot 11] At 00:10.200, <scenetrans> the narrator's line continues seamlessly across
the cut and finishes. She leaps high off the staircase, then spins once in mid-air, then her
blazer flares fully open so its lining forms a ring of cyan around her. No text. The
camera arcs with large amplitude at fast speed.

[Shot 12] At 00:11.400, she lands at the top, then turns to look back with wind in her hair,
then the word "月曜" slams in huge in off-white beside her with a thick underline sweeping in
beneath it. The camera pushes in with small amplitude at slow speed.

[Shot 13] At 00:12.600, the entire frame bursts into vivid cyan, then concentric rings blast
outward from her feet, then shattered fragments of the black slabs fly away. No text. The narrator (S1) says in an off-screen voiceover: <d>[Japanese] 相談は無料。
</d> <scenetrans> The camera pulls out with large amplitude at fast speed.

[Shot 14] At 00:13.800, <scenetrans> the narrator continues without a break: <d>[Japanese]
Nexta。</d> A clean white color field wipes across and clears everything away, then a cyan mark
of three ascending steps rising to the right assembles at the center and its top step extends
into an arrowhead, then the wordmark "Nexta" — spelled N-e-x-t-a, only the N
capitalized — resolves in deep navy beside it with "相談は無料" below. Hold the
lockup until exactly 15.000 seconds. Static shot.

Overall: the first half is hot, heavy and windless; the second half is fast, airy and cool. No
shot is fully still except Shot 6. Every shot must feel compositionally different, and the
staircase in Shots 9 to 12 is built from the same slabs that crushed her earlier. The only
words allowed on screen anywhere are "タスク", "会議", "給料",
"月曜", "Nexta" and "相談は無料". No other text, numbers, subtitles, captions or watermark.

overall_soundscape:
Massive stone slabs drop and grind with deep booming impacts while an air conditioner drones
and distant cicadas buzz through stale, motionless air. Everything falls silent at 00:05.000
until a soft gust of wind rises at 00:05.800. Wind then builds, cloth snaps and flutters,
footsteps climb and speed up, and a wide airy boom opens at 00:12.600.

non_diegetic_music:
A low sustained synth drone holds alone at a slow pulse and thickens under the falling slabs.
It cuts out completely at 00:05.000 and stays absent until 00:05.800, when a light arpeggiated
synth and a four-on-the-floor kick enter and build through the climb. Wide chords and a snare
roll open at 00:12.600 and resolve on one sustained chord at 15.000 seconds.