品牌标志动画展示

Continuing my deep dive into the capabilities of MiniMax H3. Today, I’m sharing my prompt for a clean logo animation. 🚀

Here is all you need to do:
1️⃣ Upload your logo image (I’ve attached the one I used so you can test it).
2️⃣ Copy & paste my prompt.
3️⃣ Run a 15-second generation in MiniMax H3.

Here's the prompt 👇

#MiniMaxH3 #KineticTypography #PromptEngineering #MotionDesign  #LogoAnimation

### 作者补充

[补充1]
Continuing my deep dive into the capabilities of MiniMax H3. Today, I’m sharing my prompt for a clean logo animation. 🚀

Here is all you need to do:
1️⃣ Upload your logo image (I’ve attached the one I used so you can test it).
2️⃣ Copy & paste my prompt.
3️⃣ Run a 15-second generation in MiniMax H3.

Here's the prompt 👇

#MiniMaxH3 #KineticTypography #PromptEngineering #MotionDesign  #LogoAnimation

[补充2]
integrated_multimodal_description:
For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. <Picture 1> also serves as the authoritative reference for the logo itself: throughout the entire video the logo is treated as a fixed brand asset and appears complete and unmodified in every single shot, its shapes, proportions, internal spacing, stroke weights and colours identical to the opening frame. It is never cropped by the frame edge, never partially hidden behind an object, never cut off, never simplified and never redrawn into a different mark. On every physical object and every screen it is applied whole, at a generous size, sitting flat and fully unobstructed within the visible frame, and it is the single brand mark present in the video. Every surface it is applied to is otherwise blank, clean and unmarked. The only letters, characters and numerals that exist anywhere in the video are the ones that belong to the logo in the opening frame; every shot is otherwise free of text, and there are no captions, titles, subtitles, watermarks, labels, measurement numbers, annotations or interface text at any point.

[Shot 1] The video is a fast-cut motion-graphics brand-identity reel in a clean flat-vector style, high in contrast and built around large areas of empty background. A perfectly centred composition holds the logo from the opening frame, unchanged, on a plain flat background with wide empty margins on all sides, and nothing else is present in the frame. The logo immediately breaks down into its individual outlined construction shapes, which spin around the centre point of the frame together, leaving faint overlapping ghost copies of themselves as they rotate, and then decelerate and lock back into the complete logo as a thin-outlined vector drawing with no fill. The camera stays locked off and the whole logo scales up slightly as it settles.

[Shot 2] At 00:01.4, the shot hard-cuts to a light neutral-grey studio background. The complete logo now exists as a thick three-dimensional extruded solid seen in three-quarter perspective, its front faces matte black and its side walls carrying polished bevelled edges. A hard white specular highlight travels across the bevels as the object rotates smoothly on its vertical axis, and the visible extrusion depth shrinks as it turns, until at the end of the shot the logo faces the camera dead-on and reads as a flat black silhouette with every element intact. The camera holds completely still.

[Shot 3] At 00:02.4, the shot hard-cuts to a background filled edge to edge with the dominant accent colour taken from the logo in the opening frame. The complete logo sits centred as a flat solid silhouette in the contrasting colour, entirely inside the frame with clear margins, and scales down steadily to about half its starting size while the camera remains locked off.

[Shot 4] At 00:03.3, the shot hard-cuts to a near-black background where the logo glows in its accent colour. Thin pale horizontal alignment guides sweep in from both edges and settle across the frame, touching the top, middle and bottom of the logo like a typographic baseline grid. These guides are bare hairlines and nothing more, plain unbroken strokes of light with clean empty space along their whole length. The logo loses its fill and becomes a grey outlined construction drawing, then shrinks and slides left until its graphic symbol sits small and complete on the baseline in the left third of the frame. The camera does not move.

[Shot 5] At 00:04.3, the shot cuts to the same near-black layout of bare hairline guides. A second identical copy of the graphic symbol appears beside the first one, to the right of it on the same baseline, and then that duplicate collapses and reshapes itself into the first letterform of the lettering that belongs to the logo in the opening frame, its strokes sliding and merging into the letter shape while the symbol on the left stays untouched an

[补充3]
Вот как можно органично вплести эту деталь в твой ответ. Я добавил твою фразу в середину, чтобы логика повествования сохранилась идеально.

Вариант 1: Максимально естественный (Лучший для соцсетей)
"I actually attached the logo I used as a reference—take a look, it's totally recognizable. What's cool is that the prompt intentionally doesn't describe what the logo looks like; it even pulls the color palette straight from the image you provide. Maybe if a logo is super complex you might run into some issues, but MiniMax handled this one almost immediately